News & Stories
Photo collage of Glenn Garrido and wife Sydney Kelly showcasing how they work within the film industry.
November 1, 2026

Marvel(ous)!


STORY BY RICK WOODALL

Photography: Sean Moore, Maya Brooks of Maya B. Creative, contributed by subjects

How’s this for a movie pitch?

A Berry student who as a child learned English from superhero cartoons sits in a dark theater watching The Avengers, admission courtesy of a $5 ticket bought through the Krannert Center Activities Board. Captivated by the spectacle, he finds himself thinking, “I want to work on an Avengers movie one day.”

Flash forward 14 years. The December premiere of Avengers: Doomsday is fast approaching, and that same young man knows his name will be in the credits – a first for any film with Avengers in the title.

Such is the “pinch-me” reality for Glenn Garrido-Olivar (14C), who today holds the title of manager for content services and finishing at Marvel Studios. This is but the latest stop in an epic, continent-spanning adventure for the Berry visual communication major leading to the historic California studio lot built by Walt Disney himself with profits from Snow White and the Seven Dwarfs.

${_EscapeTool.xml($imgAlt)}

His real-life co-star is fellow “film nerd” Sydney Kelly (13C). A “guiding force” and “role model” when the two were at Berry, she is now a beloved wife and fellow entertainment professional whose trademark enthusiasm energizes both as they navigate careers in the industry.

“We’ve come a very long way from Berry and Viking Fusion,” reflected Garrido, who also goes by this shortened surname. “Now we’re enjoying this dream life we built up in our minds for so long.”

“A certain amount of magic …”

That’s how Kelly describes life in the Los Angeles suburb of Burbank, heralded as the “media capital of the world” thanks to its significant film and television presence. Reinforcing that reputation, the home shared by the couple is minutes from their respective studios and within walking distance of three movie theaters.

“There’s something about leaving for work and thinking, ‘I’m going to get a Starbucks, and on the way I’ll pass the stage where they filmed Casablanca,’” said Kelly. “That’s crazy!”
 Glenn Garrido standing with shield in front of movie props.

Garrido is in his sixth year with Marvel, earning his earliest credits working at Atlanta’s Trilith Studios before making the move to California, where he facilitates creation, delivery and quality control for digital assets such as “sneak peek” videos for major industry events and conventions.

“If there’s a screen of any size showing Marvel content somewhere in the world, it’s probably come through my team one way or another,” he explained.

${$_EscapeTool.xml($alt)}

Down the street, Kelly assists with distribution of a different sort through her work in Warner Brothers’ legendary prop house, continuing a diverse career that has included everything from running cameras to rigging equipment to leading studio tours. Now she oversees large-scale rental deals for television and movie crews seeking to breathe life into their productions by tapping into the incredible collection of physical artifacts stored in the historic facility.

“It’s a hundred-year-old building with four stories full of every item you could possibly think of to dress a set, from furniture to rugs to lamps to a small kitchen,” she described.

When not working, the movie buffs rarely miss an opportunity to soak up the history all around them, sometimes to their detriment. Garrido laughed heartily recalling the time Kelly was so focused on reading a plaque detailing the wonders of Disney’s multiplane camera that she missed a chance to meet Marvel Studios President Kevin Feige.

“I was handed a camera before I got the keys to my dorm.”

Both trace their careers to Berry, where Kelly remembers “playing with cameras” for hours her first day on campus. She sought “the biggest experience with the most opportunity possible,” and Berry delivered.

Thriving as part of a collaborative creative environment in which faculty and staff mentors encouraged students to stretch themselves and seek new challenges, the visual communication and technical theatre major gained experience and confidence working for Viking Fusion, the Berry College Theatre Company, and the college’s marketing and communications office.

The same was true for Garrido, who started college as the son of a faculty member and remained after his parents moved to Texas, benefiting from a Gate of Opportunity Scholarship funded by longtime Berry supporter Audrey B. Morgan. Arriving two years after Kelly, he took advantage of many of the same opportunities while also finding time to don the “Victor the Viking” costume as a member of the cheerleading team (“I never let him forget it!” she quipped).

The couple first met in the spring of Kelly’s third year on campus when political pundit Cokie Roberts visited Berry as a Gloria Shatto lecturer. Working in video production for marketing and communications, Garrido arrived at the Cage Center intent on plugging his equipment into the sound board for Roberts’ presentation only to find Kelly in that spot. When he tried to claim it, the spunky Viking Fusion reporter’s reply of “Get here sooner” left him dumbstruck.

“I laughed so hard,” he related. “It was like, ‘Fair enough.’”

Not long after, they began working together at Viking Fusion, ultimately collaborating on such projects as the award-winning Going Up web series about two people stuck in an elevator, all while kindling a friendship that quickly grew into so much more.

${$_EscapeTool.xml($alt)}

“I want to thank my legs for
supporting me.”

After graduation, Garrido headed south to Orlando for the Disney College Program. Soon, he was thanking body parts and delivering other well-worn punchlines as a Jungle Cruise skipper, excited to be tapping into Disney’s expanding universe, which included Marvel.

While the idea of going from ride operator to creative professional within the Marvel Cinematic Universe seemed “objectively crazy,” as Kelly put it, Garrido steadily connected the dots, progressing from intern to full-time technician with help from the experience he’d gained at Berry, eventually rising to park video crew chief for Epcot and working as a camera operator and highlight editor at ESPN Wide World of Sports, among other roles throughout the parks.

Kelly joined him in Orlando after a short stint in Atlanta, where early experience included work as ticketing and membership coordinator for the Atlanta Film Society. Securing a contract job with Walt Disney Broadcasting, she assisted with such in-park productions as Wonderful World of Disney: Holiday Spectacular and Disney’s Fairy Tale Weddings.

${$_EscapeTool.xml($alt)}

Channeling the same “I’ll do that. Why not?” energy exhibited at Berry, Kelly also stepped into the role of ride-mount technician responsible for capturing the experience of people enjoying roller coasters and other attractions. Many times she rode backwards, camera in hand, recording the footage herself.

Eventually, they got to work events together for Disney Broadcasting, an experience the couple remembers fondly as a “grown-up version of Viking Fusion.”

“We spent every major holiday for two-and-a-half years in the parks,” Kelly said, recalling New Year’s fireworks viewed from a Main Street USA rooftop and sunrise over Cinderella’s Castle as they put down fiber-optic cables for an upcoming production in an otherwise empty Magic Kingdom.

“It’s like we had the whole park to ourselves,” Garrido added. “As cheesy as it sounds, those were genuinely magical moments.”

The COVID pandemic and Garrido’s resulting layoff brought the magic to an end, but only for a moment, as the couple married and returned to Georgia, where he started his first job with Marvel and she landed a production gig, both working at Trilith Studios. In 2023, they set off for California to start another new chapter, this time in the center of the entertainment universe.

${$_EscapeTool.xml($alt)}

“Do you want something more? OK. What’s the next step?”

That’s how Garrido and Kelly approach life. Both admit to difficult days in an industry constantly in flux, yet they’re grateful to be on this journey together and excited to celebrate yet another milestone when the Doomsday credits roll.

“Both of us are very ambitious,” Garrido expressed. “We’re always dreaming. It used to be things like, ‘Oh, maybe we’ll make it out to California one day.’  Well, here we are, talking about what our next crazy experience might be.”

That’s an ending worthy of a sequel.